Studio Midnight

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Monday, February 28, 2022

Andris Reviews AUTOMATONS!

 
Have a look at this wonderful video from Andris Reviews about our 2006 film Automatons. Automatons will be screening at MoMA The Museum of Modern Art this April as part of their Larry Fessenden and Glass Eye Pix film series.

Tuesday, February 15, 2022

The Museum of Modern Art announces a Glass Eye Pix Retrospective: 22 features! shorts! & more!

Oh, the Humanity!
The Films of Larry Fessenden and Glass Eye Pix

Mar 30–Apr 19, 2022
MoMA, Online



For more than 40 years, Larry Fessenden has not only reinvented and reinvigorated the horror and fantasy genre through his contemporary re-imaginings of mythic archetypes—the chimera, the vampire and the ​Leviathan, the Wendigo and the Modern Prometheus—he has also, as the founder in 1985 of the scrappy, resolutely independent New York production company Glass Eye Pix, nurtured the early careers of a diverse array of talents including Kelly Reichardt (River of Grass and Wendy and Lucy), Ti West (The House of the Devil and The Innkeepers), Rick Alverson (The Comedy), Graham Reznick (I Can See You), Jim Mickle (Stake Land), Ilya Chaiken (Liberty Kid)​, and James Felix McKenney​ (Automatons and Satan Hates You)​​.

Celebrating his extraordinary career as a writer, director, producer, actor, cinematographer, editor, and songwriter, this major retrospective of Larry Fessenden and Glass Eye Pix presents more than 20 feature films screened in MoMA’s theaters, as well as an additional selection of features and shorts streaming on our Virtual Cinema platform (available to MoMA members across the US). Perhaps the true terror—and the liberating promise—of Fessenden’s work, which includes Habit (1997), No Telling (1991), Wendigo (2000), The Last Winter (2007), and Depraved (2019), is the extent to which the world today, our so-called Anthropocene epoch, has come to mirror his own uncanny visions of existential crisis: of ecological collapse and worldwide plague, historical trauma and amnesia, the dehumaniz​ing effects​ of technology, and a profound alienation from the animal world and ourselves through a failure of the empathic imagination.

Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art.

Visit the MOMA website here.